In recent years, his work has become more controlled, sometimes even subdued. The flashier moves of his early films are stolen from pre-MTV heroes like Martin Scorsese (in Boogie Nights) and Robert Altman (in Magnolia). Most recently, Anderson has directed or co-directed a long run of videos for the pop-rock band Haim.īut despite resisting the MTV aesthetic for the first two decades of his feature film career, Anderson has found his way back to the language of music videos with his new film Licorice Pizza.Įxamining Anderson's full-length films for traces of music video style - still a common influence when he was a young director - reveals why he might have been slow to embrace the form. He directed multiple videos for then-girlfriend Fiona Apple one for Aimee Mann, whose song "Save Me" was written for Anderson's 1999 film Magnolia and a series for Radiohead, whose Jonny Greenwood has scored all of Anderson's later films (and whose album Junun Anderson documented with a making-of film). But while some of his contemporaries like David Fincher and Spike Jonze started in that world before jumping to features, much of Anderson's own music video career came a bit later, and usually with personal ties. When Paul Thomas Anderson arrived on the Hollywood scene in the late 1990s, it was common for filmmakers to cut their teeth in the field of music videos.
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